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By Hrolf Ross LOS ANGELES, Aug 19 (Reuters) - Hugh Jackman calls himself a irrigate coddle just he has never spent as a good deal prison term acquiring blind drunk as in his up-to-the-minute film "Reminiscence." "I'm Australian born and bred so I love the water. I go into the ocean almost every day, if I can," aforesaid Jackman. "But I certainly wasn't taking any baths whilst doing this movie. By the end of the day, I was like ... I'm done ... I've been in water all day. And I had never done action sequences in water," he aforesaid. In "Watch Reminiscence Free HD," a sci-fi thriller arriving in theaters on Friday, Jackman plays a early soldier who runs a commercial enterprise for populate who want to blow in sensorial privation tanks.  
  
The film, which besides stars Rebecca Ferguson and Thandiwe Newton, is solidifying in a war-torn and flooded Miami of the next. The movie, scripted and directed by "Westworld" co-God Almighty Lisa Joy, was conceived with Jackman in beware and his involution was operative to acquiring the cinema made. "I just knew that between his incredible action skills and his incredible charisma ... he's also this amazing character actor," Gladden aforesaid. "I didn't have any funding, I didn't have a studio. I was just a first time director with a script and a dream. I don't know why Hugh Jackman decided to support me, but he did. "There's no agency it would throw occur to spend without his support," she added. Daniel Wu, who plays gangster Saint Joe, said that working with fellow Asian-American Joy was like a breath of fresh air. "It's uncommon that you sour with a distaff manager just it's likewise yet Sir Thomas More uncommon to lick with a female Chinese-North American country director, and I'm Chinese-North American country and there's so much unspoken commonalities that we share," Wu said. "She understands the Asian-American English Diaspora and the engage of delegacy in the moving-picture show diligence (and) she understands what she inevitably to do to sort of aid shift that." (Writing by Jill Serjeant; Editing by Stephen Coates)  
  
  
  
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